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Showing posts with label moves. Show all posts
Showing posts with label moves. Show all posts

Wednesday, 1 February 2012

Studios roll out holiday movie offerings

A scence of Bui Thac Chuyen's "Song trong so hai". (Source: internet)

Filmmakers are spending a lot on special effects in the hope of luring moviegoers to cinemas this coming Tet (Lunar New Year) holidays.

Galaxy Studio, one of the country's leading private film companies, will release its supernatural thriller, Loi Nguyen Huyet Ngai (Blood Vow), a week before Tet.

It has spent around 25 billion VND (over 1.2 million USD) on the film which has plenty of visual and sound effects.

Directed by Bui Thac Chuyen, who is also one of the film's scriptwriters along with Bui Kim Quy, the film promises to appeal to both young audiences and adults.

"My film has fresh content and performances," Chuyen, whose first movie, the 2005 release Song Trong So Hai (Living in Fear), won the 2006 Shanghai International Film Festival's Asian New Talent Prize, said.

Loi Nguyen Huyet Ngai tells the story of Chieu Duong, a 16-year-old girl who has the mental make-up of a six-year-old following a traumatic incident during her childhood.

However, the incident gives her a strange power – the ability to read people's minds and foretell disasters.


Minh Chung's Le Phi Tinh Yeu (Love Fee) is a full-length comedy produced by Viet Film and featuring famous comedians like Hoai Linh, Hong Van and Viet Anh.

Chung has not changed his style because he thinks comedies are a perennial favourite with audiences, even more so during the festive season.

"My film features comedy, exciting action, and serious issues like love and life", the director, who has the reputation of making quality comedies, said.

With its young and attractive cast, including pop idols Minh Hang and Tieu Chau Nhu Quynh, the film is expected to be a draw with young audiences.

Another comedy, Hello Co Ba (Hello Ms Ba), made by the industry's biggest name, Phuoc Sang, is also in the offing. It focuses on rural life.

Vietnamese-American director Victor Vu's Thien Menh Anh Hung (Born to Be a Hero) is a martial arts flick.

Based on a novel by well-known writer Bui Anh Tan, the film is about the secrets of a famous family during the time of the Le Dynasty, including the tragic love of Nguyen Vu, the family's only son, for Hoa Xuan, a kungfu artist.

The co-producers, Saiga Film and Phuong Nam, signed up dozens of skilled make-up artists and fashion designers for the film.

Le Hoang has made a serious film, Toi Nay, 8 Gio (Tonight at 8pm). The veteran, who began the film after asking himself why poor young women could not dream of changing their destiny, says: "Tonight at 8pm" revolves around the daily lives and efforts of four girls to overcome difficulties to achieve a better life."

"I thinks young audiences will identify with the girls."

Hoang made his mark with the wildly popular Gai Nhay (Bar Girls) and its sequel in 2003 and 2005, and is thought to be instrumental in introducing escapist fare in Vietnam.

His film is the only one expected to buck the trend of the holiday season which is invariably dominated by comedies and light fare./.

vietnamplus.vn

Tuesday, 31 January 2012

Hanoi does a HCMC as movie fans flock to cinemas during Tet

A scene in Vietnamese blockbuster Thien Menh Anh Hung (Destiny Hero) for Tet holiday

Hanoi moviegoers have joined their Ho Chi Minh City counterparts for the first time in thronging cinemas during Tet.

Platinum Cineplex, which used to screen movies until 9 p.m., has extended its show timings to 10:30 p.m. for the last three weeks.

National Cinema Centre has regularly seen full houses for the Vietnamese blockbuster "Thien Menh Anh Hung" (Destiny Hero).

Tickets for the movie continue to be sold on the black market for up to VND 350,000 for a pair, more than double the normal rate.

Megastar Vincom Hanoi, which used to screen a maximum of 14 shows a day, has increased that to 18.

Thanh Nien News

Tuesday, 20 December 2011

Awards 2012: Making the Case for 'Rango'

ALTWhen it comes to animation contenders for awards season, we're usually juggling between one of Dreamworks' zany comedies, a contemplative cartoon from Pixar or a foreign film entering the race from out of nowhere. 2011 isn't quite the same situation—Pixar delivered the shiny, soulless Cars 2, while Dreamworks' Kung Fu Panda 2 and Puss in Boots are both highly entertaining, but sequels to past nominees.

Thankfully, that leaves the door wide open for Rango. The weird, wild Western opened in March, galloping across the cinematic desert to year's end, wrangling favorable reactions from critics and audiences along the way. The film marks the first fully-animated effort from special effects studio Industrial Light & Magic (the folks behind Star Wars and a zillion other blockbusters that have left you awestruck in the last thirty years) as well as director Gore Verbinski's (Mouse Hunt, The Ring, the Pirates of the Caribbean trilogy) debut animated outing. Throw in living cartoon Johnny Depp as the titular character and you have a prestigious pedigree for a medium that's classified by many as "for children." In other words, a viable awards contender and a highly entertaining flick.

Rango may look ordinary with its anthropomorphic talking animal stars, but ingrained in the family friendly setup are exhilarating action sequences, existential musings and a whole lot of oddball comedy. Kids won't get all the references to classic Westerns or Hunter S. Thompson, but then again, they're not the ones voting. Gore Verbinski stands the best chance at walking away with a handful of accolades for Best Animated Feature, thank to Rango's unique design and cinematic choices. ILM's foundation of live-action special effects elevates the animation, mirroring real life lighting conditions and camera movement. Verbinski takes full advantage, and the movie's multiple chase scenes are prime examples.

But a movie can't rely solely on flashy special effects, and at Rango's core is an excellent, inventive script by John Logan (Hugo, The Aviator, The Last Samurai). The screenplay riffs on cinematic storytelling tropes ("A stranger comes to town…) and Hollywood classics (Rango shares similarities to Chinatown and Clint Eastwood Westerns), while giving Depp plenty of material in which to work his manic magic. An original screenplay nomination for Logan would be much deserved.

ALT

In a perfect world, Depp's performance as the Lizard With No Name would also have a shot at awards. The dialogue in Rango was recorded in a unique fashion—the actors were actually on a set, dressed in costumes, playing their parts like a stage show. It was a physical production, rather than the usual recording booth solitary experience. This adds unexpected energy to the characters of Rango that's evident in the final product. That said, a voice performance has never been nominated for a Best Actor Oscar, so don't get your hopes up.

Pixar may have shepherded a new era of animation, one that's taken seriously by award voters, but with Ragno, ILM mines the real creative potential of the animated blockbuster. If you haven't caught up with one of 2011's real treasures, make sure to check it out on Blu-ray—there's a good chance we'll be seeing this one at the Oscars.

hollywood.com


Four Reasons Why Tom Cruise is Still the Biggest Star in the World

He’s been nominated for three Academy Awards, won two Golden Globes and had an astounding 21 #1 box office debuts. He’s got one of the most impressive resumes of any actor today, having worked with Steven Spielberg, Martin Scorsese, Stanley Kubrick, Brian de Palma, Francis Ford Coppola, Ridley and Tony Scott, Oliver Stone, Ron Howard and Sidney Pollack. Most impressive, however, is that through all the scientology and couch-jumping controversy, Tom Cruise has remained one of the most alluring, interesting and watchable movie stars on Earth.

The stellar performance of the advanced IMAX previews of his latest cinematic adventure, Mission: Impossible – Ghost Protocol, proves yet again that he continues to appeal to moviegoers worldwide. As the movie gears up to expand its release, here are four reasons why Cruise is still an institution:

He’s One of the Last Marquee Names

In the golden age, films were sold to audiences based on star power. Movie posters were adorned with the names of their male and/or female leads featured as prominently as its title. But by the 1990s, things changed. Sure, people still came out to the theater to see their favorite actor’s new movie, but directors, genre and theme became as integral – or more important in some cases - to a marketing campaign as anything. Just take a look at the posters for the biggest films of 2011 including Harry Potter 7B, Fast Five, Transformers 3, Twilight: Breaking Dawn Pt. 1; the franchise, not the cast, is the message.

But with a Tom Cruise movie, the actor is still the studio’s most valuable asset. Ghost Protocol’s posters, TV spots and subway spots have primarily highlighted the actor as opposed to the property because, quite simply, there is no Mission: Impossible without him.

Mission Impossible 4 Subway Poster

He’s as Exciting to Watch in Supporting Roles as He Is in the Lead

Though he’s best known as a leading man, some of Cruise’s most lauded performances came in the form of supporting turns in ensemble films. He was a standout in 1982’s The Outsiders, working alongside Patrick Swayze, Rob Lowe, Emilio Estevez. He gave an electrifying performance in Paul Thomas Anderson’s Magnolia (for which he was nominated for an Academy Award). And Cruise recently stole the show in Ben Stiller’s 2008 laffer Tropic Thunder as Les Grossman, a role which he’ll possibly reprise in a forthcoming spin-off. His upcoming appearance in Adam Shankman’s Rock of Ages should add to his running list of small parts with a big impact.


Tom Cruise as Les Grossman in Tropic Thunder

He Makes the Kind of Movies the Masses Want to See

There’s a reason why Cruise has had enormous success. The fact that he’s a dynamic, capable actor is only part of the equation - an actor is really only as good as the material he/she works with. Cruise’s filmography stands out because of the kinds of movies he makes: quality crowd-pleasers with broad appeal. From Top Gun to Rain Man and Jerry Maguire to Minority Report, audiences have always come out to see his big-budget blockbusters and smaller, personal stories because of the spectacle or relatable human drama. They’re films that everyone can enjoy, and moviegoers continue to eat them up.



Tom Cruise in Mission Impossible 3


Seeing His Films Gets Us All Nostalgic

We all look back on our youth with sentimentality. When Tom Cruise first became a global superstar, the movie industry was a different animal. As showbiz exponentially grew over the years into America’s chief export, the big-business aspect has taken some of the fun and austerity out the theater-going experience. Entertainment isn’t as enigmatic as it once was, and in most cases it’s not as awe-inspiring. That’s what makes seeing a movie like Mission: Impossible – Ghost Protocol so great.

When I saw the film last week and laid eyes on Ethan Hunt for the first time in five years, it immediately took me back to Summer 1996, when I was first introduced to the high-tech world of the IMF. Maybe it was my age, but going to the movies was just more enjoyable back then. Seeing Cruise run from an oncoming sandstorm and scale the world’s tallest building gave me the kind of larger-than-life experience I had regularly at the multiplex before the turn of the century. That’s not to say that contemporary productions are incapable of delivering the goods (see: The Adventures of Tintin), but too few reach the level of a Jurassic Park or T2. However, I can always rest assured knowing that every time Cruise gears up for a new motion picture it’ll be something that reminds me of a simpler, more wholesome era of moviegoing.


Tom Cruise and Dustin Hoffman in Rain Man

hollywood.com

Martin Freeman is a Spirited Bilbo Baggins in New 'The Hobbit' Image

The Hobbit movies should have a good deal of confidence. Its sister series, The Lord of the Rings, was one of this generation's unforgettable cinema experiences. By nature, The Hobbit (split into two parts: The Hobbit: An Unexpected Journey and The Hobbit: There and Back Again) is somewhat more of a personal story. And it's one that many of us are quite excited for.

We've seen a whole bunch of dwarves (seriously, like tons) from the movie so far, and now, our excitement should be multiplying: Martin Freeman portrays the legendary Bilbo Baggins below, complete with his staff, pack, and the spirit only a hobbit could embody. We're in for an unexpected journey worth taking.

The Hobbit reaches theaters Dec. 14, 2012 and debuts its new trailer tomorrow!




Source: Warner Bros, Hollywood.com

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